In my practice, I explore the synergies between shadow theatre, puppetry , embodiment and computational practice.  Her feminist and creative process is definitely organic and based on prototyping and devising with the material to find its specific narrative.

In my last year of the MFA in Computational Art, at Goldsmiths University , drawing from her  interest in alien agency, she investigated the similarities between the network interfaces and theatrical masks and how in the age of the Ubiquitous computing,  the hierarchy between human and machines is currently under review.

This blog is a reflection of my journey into the uncanny space of computation with a network of electronic crafted artefacts.



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